The most interesting privately owned Contemporary French Canadian art collection is not who you think…
The Contemporary French Canadian artist is negotiating with La FéCANE, FANE, Congress Mondial Acadian 2024, and Association Nationale Acadienne; to bring them into the evolving blockchain metaverse sphere.
Conservative heritage patrimonial industry sees the need to move onto the Ethereum Web 3.0 blockchain.
However, they have little knowledge to comprehend the vast complexity of the new internet web 3.0.
Blockchain-savvy visual artist Claude Edwin Theriault is making them see its potential as a digital ledger of the future here now.
Claude Edwin Theriault is communicating with Trevor Murphy, Marcel Aymar, and Luc D’eon to show them the ropes as to how this very disruptive web3 technology works.
Then move on to offer his skillsets to FANE,Congress mondial Acadian 2024 and La Société Nationale de l’Acadie.
All government agencies need change and reboot to serve better as spoke persons for acadian artists.
Claude has hundreds of innovative NFT 3D motion graphic designs deployed onto the Ethereum Virtual machine for several years, making him the ideal candidate to do this task.
NFT creator of MBF-Lifestyle East Coast designs that won Platinum in the Hermes creative design awards in the video category based on the merit of his work, not through political associations, hence his understanding of the potential to modernize the old conservative Fecane and Radarts culture organizations that are stale and dated in their modalities.
Claude seeks to help the Fecane create their meta mask digital wallets and digital content in smart contracts as he does. This will bring them into the forward-thinking open source sphere instead of the old conservative heritage patrimonial web 2.0 format they are locked in.
The Fecane is faced with being out of touch with an acadian population that finds them irrelevant to the emerging needs of a visual artist who does not see a voice with the very cultural organizations that claim to represent them, yet only means a few select clic of musicians.
The new Ethereum metaverse platforms are filled with visual arts, hence the technological savvy skillsets of Claude Edwin Theriault of MBF -lifestyle seeing the potential.
Change is slow in the conservative patrimonial heritage industry; however, the social media profile management skills of Claude Edwin Theriault are helping the academic burocrates see the light of the change that is currently upon us all.
The contemporary French Canadian artist is negotiating with Fecane, FANE, Congress Mondial Acadian 2024, and Association Nationale Acadienne; to bring them into the evolving metaverse sphere.
Progress is slow, however; Claude Edwin Theriault is working diligently with the Fecane, FANE, Congress mondial Acadian 2024, and La Société Nationale de l’Acadie to bring them into the metaverse blockchain era that is here now. The times are changing!
Claude Edwin Theriault is the ideal candidate to provide an understanding of the potential blockchain can have for giving a modern open-source solution for these cultural spoke person organizations that are out of touch with their audiences.
This will enable them to reach far more people than they ever could, exponentially expanding the scope and visibility of acadian culture in Nova Scotia and beyond by providing cultural representations beyond the old patrimonial heritage archetypes of the long gone past.
Other cultures have modernized their arts and artist, Conservative Acadian culture is slow to adopt change yet is trying to do so.
Claude Edwin Theriault is at the forefront of this new wave, showing them the potential blockchain technology offers all Acadian artists and cultural organizations willing to step up to the plate.
The future of Acadian culture is in his hands, and it’s up to him to help usher them into a new era with the vanguard of digital transformation that comes from being on the Ethereum blockchain platform that is home to the metaverse. A current beehive of developer activity, there to benefit from becoming the most innovative and exciting French Canadian Contemporary art collection of reputation and renown due to the utility value the 3D motion graphics bring to the viewing audience.